HONG KONG — David Tse recalled feeling overwhelmed with pride when he walked out of a British cinema after having seen “Shang-Chi’s latest movie and the Legend of the Ten Rings ,” Marvel.
“Our Chinese community has finally arrived to the West,” Tse, a British actor and writer from China, said by telephone from Birmingham. “Every Chinese person around the world should be immensely proud of Shang-Chi.”
The film, Marvel’s first with a predominantly Asian cast, has been a hit with global audiences, earning more at U.S. theaters than any other movie during the pandemic and grossing more than $366 million worldwide since its release early last month. Despite its success at the box office and the positive response from Asian communities around the world, it’s not being shown on any screen in China. China last year overtook North America to be the world largest movie market HTML2. This is the latest movie to be in trouble in China amid rising nationalism and tensions between the U.S. and China ..
From the beginning, “Shang-Chi” was made with China in mind. The film’s dialogue is largely in Mandarin. It also features some of Asia’s most prominent names like Michelle Yeoh and Tony Leung from Hong Kong, who are making their Hollywood film debut.
Simu Liu, a Chinese-born Canadian actor who also starred in the Netflix sitcom “Kim’s Convenience,” plays Shang-Chi, a reluctant martial arts warrior forced to confront his father. The film has been widely praised as a major step forward as Hollywood tries to improve representation of Asians and Asian Americans.
” Finally, we see a strong character who isn’t stereotyped like we have been for decades,” Tse stated. “Our young people are desperate for more of them.”
“Shang-Chi” has not received the same welcome in China, where films are strictly censored and the number of foreign releases each year is limited. That has not stopped Marvel in the past — in 2019, “Avengers: Endgame” earned $629 million from mainland Chinese audiences, more than any other foreign film in history.
Officials have not said why “Shang-Chi” has no release date, and the propaganda department of China’s ruling Communist Party, which regulates the country’s film and TV industry, did not respond to a request for comment. Experts point out the decline in U.S.-China relations and rising Chinese nationalism, as well as the character’s racist past.
Rife with stereotypes
Marvel debuted the Shang-Chi character in 1973 amid growing American interest in martial arts movies. Early Shang-Chi comics featured stereotypes of Asians and characters with unnatural yellow tones. Shang-Chi’s father, a power-hungry villain named Fu Manchu, has been criticized as a symbol of “yellow peril,” a xenophobic ideology originating in the 19th century in which Asians, especially Chinese, were viewed as a threat to Western existence. Kevin Feige, President of Marvel Studios, has stressed that Fu Manchu is not a character in Marvel comics anymore and that Shang Chi’s father, played by Leung in the film is a different character called Xu Wenwu. Some people still see the connection.
“Chinese audiences cannot accept a prejudiced character from 100 years ago is still appearing in a new Marvel film,” the Beijing-based film critic Shi Wenxue told the Global Times, a state-backed nationalist tabloid.
Liu, 32, who immigrated to Canada with his parents in the 1990s, has also drawn public ire over past comments critical of his birth country.
In a 2016 Twitter post, he described Chinese government censorship as “really immature and out of touch.”
The following year, in an interview with the Canadian Broadcasting Corp. that has since been taken down, Liu described China as a “third world” country where people were “dying of starvation” at the time he and his parents left. A screenshot of his comments has circulated on Weibo, a popular social networking platform in China, with one user commenting: “Then why does he play a Chinese character?”
Michael Berry, director of the UCLA Center for Chinese Studies, said Liu’s comments had been “taken out of context and politicized.”
“Once a cyberattack is waged against a film or individual in China, there are usually a series of talking points that are manufactured and then leveraged to take advantage of rising nationalist sentiment,” he told NBC News.
‘Reclaiming our culture’
The anger over Liu’s comments echoes an earlier episode involving Chloe Zhao, the Beijing-born director of “Nomadland,” who made history this year when she became the first woman of color to win the Oscar for best director.
“Nomadland” had been slated for a limited mainland release, but then a 2013 interview with Filmmaker magazine resurfaced in which Zhao described China as “a place where there are lies everywhere.” She was targeted by online commenters accusing her of smearing the nation, and the film was never shown.
“Eternals,” an upcoming Marvel film directed by Zhao, could also be denied a release date in mainland China.
Berry called the treatment of Liu and Zhao a “great tragedy,” describing them as China’s “best hope for better cross-cultural understanding between China and the West.”
Many moviegoers elsewhere in the region have celebrated “Shang-Chi” for promoting that understanding.
Adrian Hong, 22, a student who has seen the film twice in Hong Kong, which has its own film regulator, said it spoke volumes about the “beauty and grace of Chinese culture.”
“The beauty of martial art, the concept of yin and yang, the incredible mythical creatures, all add to the film,” he said.
Some Weibo users have also voiced concerns about the decision of the mainland government to not show the film.
” “Why do some people claim Shang-Chi offends China?” asked one user. “The movie doesn’t offend China, but promotes traditional Chinese culture instead.”
For Tse, the actor and writer, “Shang-Chi” is all the more important because of the rampant anti-Asian racism, discrimination and violence unleashed by the coronavirus pandemic.
“This is a pushback for all the Asian hate crimes against us. He said that it was an answer to all the racists who have been fighting us for many decades.” “Shang Chi is us reclaiming culture. It says globally, culturally, this is a new tide of history.”